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Features
Overview AI workspace agentCollector client portalConsignment managementEditions and print runsMultilingual galleriesPayments and invoicingPrivate viewing roomsSales pipelineViewing room alerts
Solutions
Art fairs & festivalsPrivate & secondary salesSoftware for art advisorsSoftware for art dealersSoftware for museums
Compare
Art.industries vs ArtBinderArt.industries vs ArtCloudArt.industries vs ArtfolioArt.industries vs ArtGalleriaArt.industries vs ArtlogicArt.industries vs Artwork Archive
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Feature

Art exhibition management software

An exhibition is the same catalogue under deadline pressure: a work list that keeps changing, wall labels that must match the record, a preview the director wants out by Thursday, and sales that need invoicing before deinstall. Art.industries plans the show from the inventory you already maintain, so nothing is retyped between the checklist, the labels, the viewing room, and the public page.

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Exhibitions planned from live inventory

Most exhibition planning dies in documents: a Word work list, an Excel loan tracker, a designer's label file, and a website update that someone does last. Each copy decays the moment a work is swapped or a price changes.

In Art.industries an exhibition is a record linked to the works in it. Swap a work and the checklist, labels, preview room, and public page all read the change, because they all read the same catalogue.

Work, artist, and logistics checklists

Every show runs on lists. The exhibition record keeps them attached to the data instead of in someone's inbox.

  • Work checklist. Confirmed, pending, and dropped works with dimensions, insurance values, and lender or consignor noted per work.
  • Artist checklist. Bios, statements, portraits, and press assets pulled from the artist database.
  • Logistics. Incoming shipments, condition checks on arrival, and install locations recorded as custody events. See multi-location tracking.
  • Print and PDF. Checklist exports and PDF catalogues generate from the same records, formatted for lenders, insurers, or press.

Wall labels and exhibition documents

Labels are where data errors become public. Because the label text generates from the work record (artist, title, year, medium, dimensions, price or courtesy line), a correction in the catalogue corrects the label file too.

The same applies to checklist handouts and price lists: one edit, every document current. No designer round-trip for a date fix.

Private previews before the opening

The preview is where exhibition sales actually start. Send a private viewing room of the show to chosen collectors before opening night, watch per-work engagement, and place holds while interest is live.

Rooms are revocable, watermarked where you choose, and linked to the same works as the show, so a sale in the room updates availability everywhere at once.

The public exhibition page publishes itself

With Website Studio, the exhibition gets a public page built from the exhibition record: dates, works, installation views, and press text. Publish when the show opens; availability stays current through the run without anyone editing the website by hand.

When a work sells, the public page reflects it on the next render. Price and availability sync is the difference between a website that supports the show and one that embarrasses the front desk.

Sales during and after the run

Exhibition sales close as Stripe invoices and payment links: deposits at the opening, balances after, instalments where agreed. Each invoice references the work, so consignor splits and edition counts settle correctly.

After deinstall, the exhibition record stays as history: what showed, what sold, to whom, at what price. Post-show follow-up runs from the engagement and sales data, not from memory.

Fairs are exhibitions with shipping deadlines

The same exhibition tooling runs fair booths: booth checklist, transport paperwork from recorded dimensions and values, a booth preview room for clients who cannot attend, and deposit links taken on a phone at the stand. The fair prep guide covers the full sequence.

FAQ

How is this different from a project management tool like Notion or Trello?
Generic boards track tasks but know nothing about the works. Exhibition records here link to real artwork records, so checklists, labels, viewing rooms, invoices, and the public page stay consistent when the work list changes.
Can I plan an exhibition before all works are confirmed?
Yes. Works on the checklist carry confirmed, pending, or dropped status. The preview room and public page only show what you choose to include.
Does this handle multi-venue or travelling exhibitions?
Yes. Each venue leg keeps its own dates and location, and works carry custody events per move, so the location history survives the tour.
What does the public exhibition page look like?
It is built in Website Studio from the exhibition record: dates, press text, works with images, and installation views, on your own domain with your typography.
Is exhibition management included on the free plan?
Exhibition records, checklists, and viewing rooms run on free Core. The public website on a custom domain is part of Advanced. See pricing for the current matrix.

Related pages

  • Exhibition management
  • Software for art galleries
  • Private viewing rooms
  • Art fair inventory prep
  • Gallery website builder
  • Art invoicing software

Plan your next show on free Core

Create the exhibition, attach 20 works, generate the checklist and labels, and send one preview viewing room. If the next show runs cleaner than the last, keep going.

Get started for free See plans and pricing
Art inventory tracking · Gallery CRM software · Art consignment management · Private viewing rooms · Art exhibition management · Gallery website builder · Stripe invoicing for art sales · Editions and print runs
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