Edition and copy are different
Publisher, format and release date describe the edition. Condition, inscriptions, copy number and completeness belong to the physical copy that is actually on the shelf or being offered.
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For publishers, record labels, booksellers and specialist dealers managing books, vinyl and printed matter. A title can exist across editions, printings, pressings, formats and individual copies, each with its own identifiers and condition. Art.Industries keeps the title, its editions and the copy in hand connected.
Begin with a blueprint for the title, its particular edition or pressing and the individual copies you hold. Adjust the fields for books, vinyl or other printed matter.
+ Add, rename or hide fields
In every record
Every arrangement
Selling merchandise too? See Limited Runs and Merch
Art.Industries comes with predetermined blueprints for each industry: a ready-made set of sections and fields suited to what you sell. Start from the one that fits, or create a blueprint of your own, fully custom to your industry. One workspace can use several at once.
See every blueprint in Inventory ManagerPublisher, format and release date describe the edition. Condition, inscriptions, copy number and completeness belong to the physical copy that is actually on the shelf or being offered.
ISBNs, catalogue numbers and matrix details help distinguish one edition or pressing from another. They remain searchable instead of being buried inside a general description.
Two copies of the same title can differ through wear, annotations, inserts or missing components. Recording those details individually gives the buyer a more accurate description.
Authors, editors, translators, illustrators, musicians, producers and designers can all contribute to one release. The record makes space for roles beyond a single named creator.
Yes. The blueprint can be adapted for books, vinyl and other printed or recorded editions, with irrelevant fields hidden and specialist fields added where required.
Yes. Copies can carry their own condition, completeness, inscriptions, availability, location and price while remaining connected to the same title and edition.
Yes. Existing data can be brought in through a guided import, including identifiers and descriptive fields already held in a spreadsheet or another catalogue.
Fine-art prints, photographs, multiples and casts belong with Artists, Galleries and Dealers. Set the work up as an edition, and each numbered copy, proof or cast keeps its own record.
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