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Software for your part of the art world

A solo studio in Mexico City, a 12-person gallery with two spaces in Chelsea, and a museum loaning works to TEFAF do not need different software. They need the same catalogue layered with different defaults. The pages below describe how Art.industries adapts to each.

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Pick the closest fit

Most teams sit between two of these descriptions. A gallery that also represents an estate behaves like both Software for art galleries and Software for artists. A dealer who occasionally consigns to fairs reads both Software for art dealers and Software for art fairs and festivals.

You do not pick a different product for each. You pick the page that matches your week-in, week-out work, and the others stay open in a tab.

Art fairs & festivals
How fair organisers and festival producers manage exhibitor lists, floor plans, sponsor stewardship, and the operational paperwork most fair management software ignores.
Private & secondary sales
For secondary-market desks at galleries and auction houses: confidential consignors, pricing memory, multi-party splits, discreet rooms, fast Stripe-backed deposits.
Software for art advisors
How independent art advisors and small advisory firms manage client collections, source work from galleries, send proposals, and keep institutional memory across years.
Software for art dealers
Dealer-specific software for secondary-market and private-sales work: discreet viewing rooms, pricing memory, multi-party consignments, Stripe-backed deposits.
Software for museums
Where Art.industries fits in museum operations: outgoing-loan tracking, condition reports, exhibition management, and where a dedicated CMS is still the right tool.

Explore the full capability matrix on Features, compare modular plans on Pricing, or contact the team with workflow questions.